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In “Writing White”, Martha Collins, known for her own poems exploring whiteness and race, seeks to respond to Major Jackson’s writing on white poets writing about race as well as Claudia Rankine's examination of white poets taking on the topic of race in their work. Excerpt (corrected):
I have realized in the years since I published Blue Front, my life itself has been extremely white. While I was writing that book, I was thinking mostly about my father, who became the imagined or questioned figure through whom I tried to observe the lynching. But at some point I began to consider what all of this had to do with me, a white woman living nearly 100 years later. Then the term “white papers” came into my consciousness and provided a title for what ultimately became a book of numbered but untitled poems that deal with race, particularly the issue of what it means to be white in a multi-racial society still haunted by its deeply racist past. A number of the poems focus on my very white Midwestern childhood; others involve historical explorations of the racial history of several places (all Northern) where I have lived; still others examine the uses we make of the words we so inaccurately call ourselves, particularly “white.” Ten years ago I would have said that I had very little “racial” history. In writing this recent book, I learned a great deal about the history of race, including the history of whiteness, and a great deal about myself. My own experience has become racialized, in a conscious way, and whether that awareness is apparent in my poems or not, it has changed the way I live my life and see the world.
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